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In the past year, women have come forward with their stories of sexual harassment and abuse by men across politics, business and journalism. Multiple media organizations have fired or suspended male executives accused of harassment, including NPR.

But the photojournalism world has largely been absent from the #MeToo conversation — and not because there's no aching for one.

"Photojournalism needs to face its #MeToo moment" — that's according to Kainaz Amaria, a visuals editor at Vox and formerly with NPR.

"Great Achilles. Brilliant Achilles, shining Achilles, godlike Achilles ... How the epithets pile up," begins The Silence of the Girls, Pat Barker's tart retelling of the Iliad from the perspective of Achilles' concubine, Briseis.

"We never called him any of those things," she continues, "we called him 'the butcher.'"

Apocalypse? Naw. 'Woman World' Is a Laid-Back Utopia

Sep 15, 2018

When the apocalypse comes, it might be harrowing, astonishing or simply unimaginable. But Aminder Dhaliwal doesn't think so. In Woman World (a compilation of her wildly popular Instagram comic), the apocalypse is so low-key, it's downright forgettable. It's given a scant two-page spread early in the book with the explanation, "the world was ... distracted by a series of natural disasters.

Jose Antonio Vargas is an activist, journalist and filmmaker. In 2008, he was part of a Washington Post team that won a Pulitzer Prize for its coverage of the Virginia Tech shootings.

But the kind of recognition that would make most journalists proud worried Vargas. It could lead to revealing a secret at the heart of his life — a secret that he himself didn't discover until he was 16.

Anna Kendrick is the star of the Pitch Perfect movies, but how much does she know about pitching perfectly? We've invited her to answer three questions about a no-hitter thrown by Pittsburgh Pirate Dock Ellis in June 1970.

Kendrick is now starring in the film A Simple Favor.

I miss Bill Cunningham. There. I said it. I miss opening the Thursday and Sunday pages of the New York Times and seeing a whole cross-section of humanity, courtesy of Cunningham's photos, that had become a documentation of how New Yorkers lived and what they wore.

Sometimes wildlife photographers capture images that are awe-inspiring, thought-provoking, dramatic, emotional.

And sometimes, they catch one moose sticking its tongue out at another.

Yes, it's that time of the year — time for the Comedy Wildlife Photo Awards.

The awards highlight the most amusing animal pictures of the year, to draw attention to wildlife conservation.

In the pre-dawn darkness on Friday morning, work crews removed a controversial statue from San Francisco's Civic Center Plaza, after the city's arts commission unanimously voted to take down the "racist and disrespectful sculpture."

The statue depicts "the degradation and genocide of Native American peoples" using stereotypes that "are now universally viewed as disrespectful, misleading, and racist," the arts commission said in February.

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Matt And Kim: How To Go Outside And Not Die

Sep 14, 2018

Before they were Matt and Kim, the pop duo known for ecstatic live shows and inventive music videos, they were Kim Schifino and Matt Johnson, two art students at the Pratt Institute in New York. At The Pageant in St. Louis, Missouri, NPR's Ask Me Another host Ophira Eisenberg asked which came first: Matt and Kim the couple, or Matt and Kim the band? "The doing it came first," Johnson said.

As Hurricane Florence hits North Carolina, Amanda McKee's only concern is for her animals at 1870 Farm outside Chapel Hill. McKee and her husband, David Schwartz, transformed the nearly 150-year-old farm, and another in Durham, into an agritourism destination that now houses horses, donkeys, a cow, alpacas, goats, sheep, chickens and a host of other animals, including a baby alpaca named Xanadu that lives with the family full time.

Every year the National Book Foundation features a few fresh faces or unfamiliar names among the nominees for its annual literary prize. This time around, though, there's a twist. One of the actual National Book Award categories is something readers have not seen for quite some time: a prize for a work in translation.

Bradley Cooper has had a story to tell for a long time — about fame, addiction, his relationship with his dad.

The stars aligned when he was given the chance to direct his first film: a new take on A Star Is Born.

In Cooper's movie, the main architecture of the narrative is still there. A famous musician falls for a regular girl with a magical voice and makes her a star, while his own troubles come to the surface. The most famous version is the 1976 movie with Barbra Streisand and Kris Kristofferson.

In interviews, Maya Rudolph and Fred Armisen have said that what attracted them to the project that became Forever, a slyly surreal 8-episode series premiering on Amazon Prime today, was the prospect of telling a complete story about the same characters over or an extended period of time — and then dropping them.

In the future, once analog filmmaking is finally dead and buried, will we look back on the rise of Snapchat and Instagram as a pivotal moment in visual storytelling? The rapid-fire, three-second video onslaughts of life you get when you tap through a friend's "story" have pioneered a new kind of visual language, one that strips away storytelling conventions like setup and narration, leaving behind only the purest sensory glaze on the larger framework of a music festival or a protest march.

You know a movie is lousy when its most ardent partisans — which in the case of Shane Black's new definite-article-attaching Predator sequel-not-reboot The Predator, are me, myself, and this guy right here with the thumbs — are reduced to tepid, mildly defensive endorsements like "It's one helluva good time at the movies!"

As she moves through middle age, there's a whiff of acid in every Emma Thompson performance that adds a lively bump to the actress's Stateside image as an eternally flowering English Rose. The bracing asperity that juiced Thompson's self-directed turn as a warty governess in Nanny McPhee, as a bigoted headmistress in An Education, as the neurotic Mary Poppins author P. L. Travers in Saving Mr.

Saturday Night Live head writers and Weekend Update hosts Colin Jost and Michael Che have different attitudes toward co-hosting the Emmy awards Monday night.

Jost admits to being nervous about hosting — especially when he thinks about the show ahead of time: "I'm thinking about it in advance. That's more nerve racking than when you're actually out on stage."

Back in the '70s, when Sean Penn was a teenager and his dad, director Leo Penn, was working in television, Leo got Sean small roles in a few shows, including a pair of episodes of Little House on the Prairie. But since becoming a movie star, Penn hasn't starred in a TV project — until now, when he headlines a new, eight-hour drama series called The First, launching Friday on Hulu.

Do prehistoric fossils belong only in a museum or educational center that communicates science to the public? Is it ever right for commercial fossil hunters to sell dinosaur skulls to movie stars for display in their living rooms?

Some may think of dandelions as just unwanted weeds, but expert forager and nutritionist Debbie Naha says "a weed is just a plant growing where you don't want it to."

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

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Dave Matthews is sitting in his tour bus, at a table inlaid with a custom board game.

"If you roll '1,' you just want to move the cow one [space] and not poo, that's your decision," he says. "Although I would always poo."

Copyright 2018 Fresh Air. To see more, visit Fresh Air.

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The end of the summer is bad news for students, teachers and masochists who enjoy feeling like they're literally on fire whenever the sun is out. But it's good news for football fans, who have had to endure seven long, gridiron-free months.

That wasn't always the case, though.

For three years in the mid-1980s, sports fans could enjoy football in the Spring, thanks to the United States Football League — which featured colorful players and uniforms, and put an emphasis on fun.

Emmy- and Oscar-winning actress Sally Field could have written a famous-people-I've-known memoir. But her new book, In Pieces, is instead an intensely personal, vulnerable accounting of her life and career.

Veteran journalist Bob Woodward has written about every U.S. president since Richard Nixon — nine in total. But in all his years covering politics, he has never encountered a president like President Trump.

Woodward's latest work, Fear: Trump in the White House, paints a portrait of Trump as uninformed and mercurial. The book describes moments when staff members joined together to purposefully block what they believe are the president's most dangerous impulses — sometimes by surreptitiously removing papers from the president's desk.

Sarah Weinman, an editor and writer of true crime stories, doubles up on her literary sleuthing in The Real Lolita, investigating the 1948 kidnapping and rape of 11-year-old Sally Horner by a convicted pedophile.

Editor's note: This review includes some graphic language about sex and other adult themes.

"Today marks my sixteenth year on this hot, horrible earth," begins Ponti, the debut novel by Singapore-born writer Sharlene Teo. From there, everything just gets hotter and more horrible.

"I used to hope that puberty would morph me," the book's primary narrator, Szu, continues, "that one day I'd uncurl from my chrysalis, bloom out beautiful. No luck! Acne instead. Disgusting hair. Blood."

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