Arts

Tina Brown, editor of The Daily Beast and Newsweek, tells us what she's been reading in a feature that Morning Edition likes to call "Word of Mouth."

This month, Brown shares reading recommendations related to the changing role of women, including a book about when the women of Newsweek sued their bosses, an article about a wife becoming the primary breadwinner and another about how a woman's Facebook photo reflects her sense of identity.

'Women In Revolt'

Thinking of going to a nice restaurant? Before you decide, you probably go online and read reviews of the place from other customers (or you listen to these actors read them to you). Online reviews of restaurants, travel deals, apps and just about anything you want to buy have become a powerful driver of consumer behavior. Unsurprisingly, they have also created a powerful incentive to cheat.

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AUDIE CORNISH, HOST:

The eyes of Hollywood are focused north of the border right now on the Toronto International Film Festival. More than 300 movies from 60 countries are on offer. Many of those titles are headed to theaters and possible Oscar bids later this year. Our film critic, Bob Mondello, is in Toronto, trying to see as many of them as he can. And, Bob, apparently, I'm hearing this is your first festival in almost 20 years. Please tell me how a film critic has managed to avoid film festivals.

(LAUGHTER)

If you're a horror fan, you're probably familiar with the trope of the demon child — you know, the sweet little kid who undergoes a horrible transformation and terrorizes everyone in his or her path (or is just born evil, like Rosemary's titular baby).

[Monkey See will be at the Toronto International Film Festival (TIFF) through the middle of this week. We'll be bringing you our takes on films both large and small, from people both well-known and not.]

Here's a declaration for you: I haven't seen even ten percent of the films playing at the Toronto International Film Festival, but I am convinced that Jayne Mansfield's Car has the worst title.

Let's go back to the beginning.

[Monkey See will be at the Toronto International Film Festival (TIFF) through the middle of this week. We'll be bringing you our takes on films both large and small, from people both well-known and not.]

Michael Chabon's Telegraph Avenue is an agreeable if ultimately frustrating shaggy-dog tale of a novel that slips its leash and lopes its discursive and distinctly unhurried way through the unkempt backyards of its characters' lives.

Iraq War veteran Brian Castner opens his new memoir, The Long Walk, with a direct and disturbing warning:

"The first thing you should know about me is that I'm Crazy," he writes. "I haven't always been. Until that one day, the day I went Crazy, I was fine. Or I thought I was. Not anymore."

More than 10 years since a new generation of Americans went into combat, the soldiers themselves are starting to write the story of war. Three recent releases show how their experiences give them the authority to describe the war, fictionalize it and even satirize it.

Yunior grew up tough in a poor neighborhood. He's Latino with African roots, an immigrant and a super nerdy kid who went on to teach at a university. He's gruff and masculine, but he's also an artist — as well as the creation of one.

After Andrew Rannells pitched himself for a starring role in NBC's The New Normal, the show's creator didn't call for a month.

"I was like, 'Oh my God, I've completely overstepped — I've over-Oprah-ed this,' " Rannells tells Fresh Air's Terry Gross. "I've ruined my chances of working with this man because I was too bold."

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MICHEL MARTIN, HOST:

I'm Michel Martin and this is TELL ME MORE from NPR News. Coming up, we'll talk about how a master violin maker holds onto his art form in this struggling economy. Talk about that in just a few minutes.

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MICHEL MARTIN, HOST:

Now it's time to open up the pages of the Washington Post magazine. That's something we do just about every week for interesting stories about the way we live now. And today a story about the business of music.

(SOUNDBITE OF VIOLIN)