Arts

When your dad owns a zoo in India, as Pi's dad does, it's perhaps natural to regard animals as your buddies. Cool if you're talking goats and turtles; less cool if the animal you decide you want to pet is a Bengal tiger.

"He's an animal, not a playmate," his terrified father shouts. "Animals have souls," the boy replies gently. "I have seen it in their eyes."

At first glance, a novel in which the main character eats herself to death may not seem like the most felicitous pick for Thanksgiving week; but The Middlesteins turns out to be a tough but affecting story about family members putting up with each other, even in their most unlovely, chewing-with-their-mouths-open life moments. If you have a Thanksgiving family reunion looming before you that doesn't exactly promise to be a Norman Rockwell painting, The Middlesteins may just be the perfect literary corrective to overindulgence in high-calorie holiday expectations.

Grace Coddington grew up on what she calls "an island off an island," far from the fashion industry. Her new memoir, Grace, chronicles her journey from a sleepy town on the coast of Wales to her current job as the creative director of Vogue magazine.

At Thanksgiving, many of us will dig into the pointy tip of our first piece of pumpkin pie for the season. However, this Thursday, that nostalgic moment might feel a little less special.

This year, the word "pumpkin" seems to be creeping its way into hundreds of foods, drinks, and other products. As The Huffington Post noted recently, you can now find pumpkin-inspired beers, teas, marshmallows, soy milk, Pop-Tarts, and Pringles.

You would think, wouldn't you, that the man who created such heartrendingly sympathetic children as Oliver Twist, Pip, Tiny Tim and poor Little Nell would be a stupendous father. Well, the Charles Dickens who emerges from Robert Gottlieb's Great Expectations, a compulsively readable if occasionally repetitive account of what happened to the great writer's brood of seven sons and three daughters, is not so wonderful.

Actor Bradley Cooper became famous for a bachelor party gone wrong in the hit comedy The Hangover. From that role, Cooper went on to People magazine's "Sexiest Man Alive." Now there's talk of Oscar buzzing around his new movie Silver Linings Playbook, directed by David O. Russell.

In the film, Cooper plays Pat Solatano, just out of a psychiatric facility and struggling with bipolar disorder. Pat moves back home, where his parents try to manage his moods.

In the introduction to his new book, Sam Sifton lays it out: "Thanksgiving is not easy." Sifton knows whereof he speaks; he's now the national editor of The New York Times, but before he took on that solemn responsibility, he was the newspaper's restaurant critic and a food columnist for its Sunday Magazine.

The centerpiece of the film Life of Pi is a boy adrift on a lifeboat with a tiger in the middle of the ocean. That's easy enough for Yann Martel to describe in his novel — but hard to make happen on the set of a movie. As it happens, Pi is in theaters with another movie based on an "unfilmable" novel: Cloud Atlas, with six different plots in six different time periods.

Some books are challenging to film because they're challenging to read. Take Ulysses, James Joyce's stream-of-consciousness masterpiece, published in 1922.

We've been hearing a lot recently about how algorithms can predict just about anything. They find long-lost friends on Facebook and guess which books we'll buy next on Amazon. Algorithms hit the big time this month, when New York Times blogger Nate Silver used mathematical models and statistics to correctly forecast the outcome of every state in the presidential election.

You might think that actor Irrfan Khan — the co-star of the special effects-filled film Life of Pi -- performed his scenes by himself, or with inanimate objects that would later be transformed via CGI. Not so: As the older Pi in Ang Lee's new adaptation of the best-selling novel, Khan went back to the basics.

He tells Fresh Air's Terry Gross that he thinks of scenes as being like duets: "You strike a note, and somebody responds, and then you respond accordingly," Khan says.